Storm Doris Is Coming and Fake News Is Killing Minds, 2

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Here is the second post, recording days five to eight, of my February ‘news’ pieces.

You can see an explanation, of sorts, and the first four days here.

Links to the various news items are at the end of this post.

You can also see more spontaneous updates on my Instagram feed.

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Taken from the back of a Guildhall School Events leaflet, Sept-Dec 2016.

Taken from the back of a Guildhall School Events leaflet, Sept-Dec 2016.

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Taken from a National Gallery What's On leaflet, Autumn 2016. Image details on top photograph.

Taken from a National Gallery What’s On leaflet, Autumn 2016. Image details on top photograph.

 

Bronze Ku. Cicada motif. British Museum. Taken from Chinese Art by Finlay Mackenzie. Spring Art Books, 1968.

Bronze Ku. Cicada motif. British Museum. Taken from Chinese Art by Finlay Mackenzie. Spring Art Books, 1968.

 

Section of a handscroll landscape entitled 'Nan Yu', ink on paper by T'ang Yin (1479-1523), Ming Dynasty. Taken from Chinese Art by Finlay Mackenzie. Spring Art Books, 1968.

Section of a handscroll landscape entitled ‘Nan Yu’, ink on paper by T’ang Yin (1479-1523), Ming Dynasty. Taken from Chinese Art by Finlay Mackenzie. Spring Art Books, 1968.

 

Kuan ware. Sung Dynasty. British Museum. Taken from Chinese Art by Finlay Mackenzie. Spring Art Books, 1968.

Kuan ware. Sung Dynasty. British Museum. Taken from Chinese Art by Finlay Mackenzie. Spring Art Books, 1968.

Queen’s Saddle      Grapes        Assad        Migrants         Obama      Health Tourists      Defences

Mostly Uninvited 796

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Half of this photograph of a woman’s face is taken through a normal lens, and the other half through a UV lens.

The picture was taken from Evening Standard Magazine (29.5.15), found on a train.

Scroll down to see the whole thing so far. Or follow my progress on Instagram.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 793

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This child is having a musical adventure. Photograph by Dominic Creagh.

Taken from ‘What’s On In May’ (2015), Southbank Centre, London.

Scroll down to see the whole thing so far. Or follow my progress on Instagram.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 792

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This is  Surgeon by Ali Wade.

Taken from ‘What’s On In May’ (2015), Southbank Centre, London.

Scroll down to see the whole thing so far. Or follow my progress on Instagram.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 790

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I think this is Inder Goldfinger. Not sure about the photographer, but there is a list of possibilities below.

Taken from ‘What’s On In May’ (2015), Southbank Centre, London.

Scroll down to see the whole thing so far. Or follow my progress on Instagram.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 788

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Holy Mother by Erik Almas. Taken from a ‘Taylor Wessing Portrait Prize 2013’ leaflet, National Portrait Gallery, London. Found in a bin.

Scroll down to see the whole thing so far. Or follow my progress on Instagram.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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