Mostly Uninvited 801

Cressida Bonas by James Peltekian. Sorry about the flash, it was late at night.

The picture was taken from Evening Standard Magazine (29.5.15), found on a train.

Scroll down to see the whole thing so far, or follow my progress on Instagram.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

 

Mostly Uninvited 778

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Hermann Struck by Lovis Corinth, 1915. Stadtische Galerie im Lenbachhaus und Kunstbau, Munich.

Taken from a 2014 NPG leaflet for The Great War In Portraits, picked from a bin.

Scroll down to see the whole thing so far. Or follow my progress on Instagram.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 770

 

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Andre Balazs by James Peltekian.

The picture was taken from Evening Standard Magazine (29.5.15), found on a train.

Scroll down to see the whole thing so far.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 768 and 769

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Georgina Chapman and Keren Craig, by James Peltekian.

The picture was taken from Evening Standard Magazine (29.5.15), found on a train.

Scroll down to see the whole thing so far.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 766

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Florence Welch.

The picture was taken from the Evening Standard Magazine (29.5.15), found on a train. Photo by Lucia O’Connor-McCarthy. Unfortunately, I can’t find the photograph I took (or forgot to take) of the magazine.

Scroll down to see the whole thing so far.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 763 and 764

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Kate Moss and DJ Fat Tony. Photograph by James Peltekian.

The picture was taken from Evening Standard Magazine (29.5.15), found on a train.

Scroll down to see the whole thing so far.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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Mostly Uninvited 760

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Salma Hayek without cleavage, and below with cleavage.

The picture was taken from Evening Standard Magazine (29.5.15), found on a train. Photograph by Picture Perfect/Rex Shutterstock.

Scroll down to see the whole thing so far.

If You Are New Here: This project started (January 2015) with me sewing junk-mail faces onto a big woollen blanket. It has since expanded to include images from magazines and leaflets, I find in bins and on public transport. ‘Uninvited’ was the working title, until I changed it to ‘Mostly Uninvited’. Unless I tell you otherwise, take it that the portrait was part of some junk mail, pushed through my letterbox. I will always credit photographers, illustrators, designers and the faces, whenever possible. All of my work is numbered, this is 632. If you search this number in ‘Categories’, you can find out about the other faces.

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