Sheltered, Section 3

Section 3 of Sheltered. See here for Section 1 and here for Section 2.

Hand-stitched collage, made from discarded newspapers and these, cut-in-half. Oh, and Nana’s thread, as always.

Click on each ‘shelter’ for credits: Santa Ana, Hither Green, Salisbury, Rachel Whiteread, Aleppo.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

Aleppo, Syria

Cut from the Guardian, 19.4.18. Photo: Getty Images.

My street has another two sections, so far. See them here: Section 1, Section 2.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

Santa Ana, California

Cut from the Metro newspaper, 16.1.18. Photographer uncredited.

My street has another two sections, so far. See them here: Section 1, Section 2.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

Salisbury

Cut from the Guardian, 20.3.2018. Photo: Ben Stansall/Getty Images.

My street has another two sections, so far. See them here: Section 1, Section 2.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

Hither Green, London

A fence which has become a shrine to a burglar.

Cut from the Metro newspaper, 13.4.18. Photo: Press Association.

My street has another two sections, so far. See them here: Section 1, Section 2.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

Ghost, Ghost II

Cut from the Observer, 17.9.17. Ghost, Ghost II by Rachel Whiteread. Photo: Mike Bruce.

My street has another two sections, so far. See them here: Section 1, Section 2.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

Sheltered, Section 2

Section 2 of Sheltered (see here for Section 1).

Hand-stitched collage, made from discarded newspapers and these, cut-in-half. Oh, and Nana’s thread, as always.

Click on each ‘shelter’ for credits: Gulf Of Finland, Knotty Ash, Kentish Town, Chiswick, Mosul, and, Westminster Abbey.

It will declare itself finished when I run out of napkins.

I haven’t signed it. Undecided whether to sign each section, or just the final one.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

Westminster Abbey, London

Cut from the Times, 21.3.18. Photo: Pawel Liberta/Getty Images; AFP/Getty Images.

See the first section of my street, here.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

The Gulf Of Finland

Cut from the London Evening Standard. 20.10.17. Photo by Per Olov Jansson.

See the first section of my street, here.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.

The Great Mosque of al-Nuri, Mosul

Taken from the Metro newspaper (21.12.17). Photo: Associated Press.

See the first section of my street, here.

© Alison Sye, 2018. All images of my work are my copyright, and as such will never be reproduced in hard-print format (it goes completely against the grain of my work, I don’t add new stuff to the world, but use what is already here), or in digital format without permission. Credit must always be given to myself and the photographers involved.