This image was cut from a leaflet for ‘Savage Beauty’, an exhibition of the work of Alexander McQueen, V&A, 2015.
Duck feather dress by Alexander McQueen from The Horn of Plenty, A/W 2009-10 © Model: Magdalena Frackowiak represented by dna model management New York, Image: firstVIEW
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Amalie Zuckerkandl By Gustav Klimt.
The square was cut from a National Gallery leaflet.
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Ai Weiwei.
Taken from a Royal Academy leaflet.
I’m currently trying to identify the photographer.
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Tom. From the series ‘First Position’ by Sophie Harris-Taylor. Taken from a National Portrait Gallery Leaflet.
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I have taken the liberty of calling this dog ‘Toby’, as opposed to ‘Punch and Judy puppet’, since this is the name usually given.
Toby was made by Harry Vernon (c1920-30), and is now owned by Peter Blake. He was part of a marvelous Barbican exhibition, entitled ‘Magnificent Obsessions’ (2015), which showed stuff collected by artists.
The square was cut from an exhibition leaflet, and the photograph was taken by Justin Piperger.
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Mask of Turtle Shell, Mer Torres Strait, before 1855.
Taken from a leaflet for ‘Indigenous Australia: Enduring Civilisation’, British Museum, April-August 2015.
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Portrait of Ethel Bartlett (1896 – 1978), pianist. Born in London in 1896. Atkinson Art Gallery Collection.
Painted by Laura Knight (1877 – 1970), who has a blue plaque on her house in St. John’s Wood. In 1936 she became the third woman elected to the Royal Academy. In 1945 she asked to be sent to record The Nuremberg Trials.
The square is cut from a leaflet (*see below) for the exhibition ‘Laura Knight: A Life In Portraits’, National Portrait Gallery, 2013. Brian Sewell said, “This shoddy little show is a disgrace”.
Refridgerator by Allen Jones.
The Square is cut from a Royal Academy leaflet, advertising Jones’ retrospective in 2014.
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Standing Nude With Stockings (detail), 1914, by Egon Schiele.
The Square is cut from a leaflet for a Schiele exhibition, at The Courtauld (2015). Photograph by Monika Runge.
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Alison Sye 